Contributors

Saturday, December 27, 2008

WORDUP - Australia's newest and youngest authors



I was absolutely thrilled to be asked to make a presentation to a group of new young authors in Sydney in early December. The event signalled the completion of the wordUP literacy program which was run during September and October as a contribution to the nationwide Close the Gap campaign, and it included participants from the Yurangai Learning Centre’s Out of School Program, which is operated by Barnardos at the Factory Community Centre in Waterloo.

The project involved writing books – and the books, you may be surprised to learn, were written by some of Australia’s youngest authors. I was excited to release my first book when I was 28, but the youngest author in this group was only five years old! Now that is inspiring and impressive, by anyone’s standards.

The range of ideas and stories in the wordUP project reflects the diversity of our lives in this city, and also the creative minds of the kids in the local area. And creativity and diversity are important to recognise and also celebrate.

The fact that these books were written in four weeks is astounding and I think that I could benefit from some workshops also given my books take between four months and four years to write.

I know there was a lot of commitment from the young authors to get their books written and illustrated, but they completed the work with largely with the support and encouragement of the Social Work Students from the University of New South Wales who were given the broad task of creating a project related to the Close The Gap campaign, which in turn will help to raise the profile of the campaign itself. They found a suitable partner in the Yuringai Learning Centre – and I congratulate them all for your efforts and for ensuring that we will have a generation of creative producers coming out of Waterloo and Redfern.

As the Chair of the Australian Society of Authors, and someone who loves to write and to read books, it was my pleasure to officially present the books to their authors.

Our youngest author is Ben Snaea at only 5 years old – and his book called Jet Li in the Jungle is about Jet Li and his brother Jack and cousin John fighting lions in the jungle. It scared me a little because Ben drew really lifelike pictures to go with the story. But the photos of Ben in the book looks like he had fun writing it.

Liam Thompson is only 6 years old and already he thinks writing stories are fun, and that it’s ‘good’ to be an author. I agree with Liam. Liam’s book Ben Ten and his First Journey involves kangaroos and birds and also has photos of Liam in action! They’re great.

Isabella Redman is 8 years old, and her book King Kong was swinging through the Jungle uses bold coloured pages, and text and Isabella’s own handwriting to tell the story. And on one page, a picture of a packet of bandaids and on another, just the whites of King Kong’s eyes in the dark, means there are some very unique and clever visuals.

Belinda McDonnell is 8 years old and her favourite colours are blue, purple, pink and yellow. And there’s lots of hot pink background in her book The Wicked Witch. Belinda’s book is about a witch with an evil dog called Sniffles and they live in a big castle made out of ice. I really liked the pictures of the evil witches daughter the Ice Princess.

Serika Shillingsworth is 9 years old, and her book The Evil Queen Who Stole The Sky – is a story about an evil queen who raises taxes so she can buy more dresses… and puts the sky in her dress for a while.

Kaleab Gavin is 9 years old and he liked making up names for his book The Mystery Noise about boys exploring the jungle, which is very scary and action –packed with snakes and back flips and fractured skulls and hospitals. But it’s a book about good friends too.

Samantha Redman is 10 years old, and she thinks that writing books can sometimes be boring but sometimes a lot of fun also… and that being an author is ‘very exciting’. Samantha’s book Sam’s Best Pictures is about fish, the moon and a serious Lego fight!

Jerome is 10 year old and I think he really loves movies because he wrote a book called Columbia Tristar Pictures about a Kungfu Panda and dragon warriors. And there are skilful drawings of Olympic Medals too. Maybe Jerome has a future in doing animations for Hollywood blockbuster movies.

Last but not least, Liam McDonnell is 11 years old and the best thing Liam liked about working on his book The Shotgun, was drawing the pictures. And Liam’s illustrations are perfect for his suspense story about an FBI agent on a mission that includes saving hostages.

Congratulations to all these wonderful kids and the team that helped to bring their stories to life.

Thursday, December 18, 2008

Review: Speakin' Out Blak


Speakin’ Out Blak: An examination of finding an “Urban” Indigenous “Voice” through contemporary Australian Theatre
By Ernie Blackmore


VDM Verlag GERMANY ISBN: 978-3-639-06884

I first read this work when I marked is a thesis for the Doctor of Philosophy – School of English Literatures, Philosophies & Languages, University of Wollongong a few years ago. To see it in print now, published by a German house, is a thrill.

To say Speakin’ Out Blak is a mixed bag of knowledge, analysis, information and insight, would be an understatement. Within these pages, Blackmore’s “ordinary, creative and academic voices” have cleverly woven his own life experiences with academic analysis and creative ideas, to uncover and unpack broad ranging topics and issues. These include: colonizing dramaturges, notions of truth, the reconciliation process, Indigenous voice, the Stolen Generations, perceptions of homogeneity, denial and creation of identities, the role of theatre, mutual obligations and shared responsibility agreements, HIV/AIDS, euthanasia, Indigenous protocols, DTW models for teaching and much more.

The range of issues and the way in which they are presented, takes this book way beyond the academic boundaries of English and Creative Writing, but into the areas of History, Social Work, Psychology and Cultural Studies.

Blackmore positions himself as an Indigenous writer and critic, so as a reader we are aware that his words are filtered through both those lenses, experiences, knowledges and realities. And he has set himself a difficult yet important task in considering Indigenous voice in contemporary Australian theatre - as theatre - of all the writing forms - is the least considered in academic circles; there is much critical analysis of Aboriginal poetry, life writing and more recently, fiction. Perhaps this is because theatre as performance, has been part of Aboriginal society since the beginning of time, and only in the last four decades has it taken on the role of demonstrating, showcasing, and explaining the realities of contemporary Aboriginal lives. Either way, Blackmore has invested his time and energy into consolidating existing material with significant input of his own analysis and creations, delivering for the academy a much needed injection into the discourse around Aboriginal Australian theatre.

Aboriginal Australians struggle daily with perceived notions of our society and culture being confined to remote and rural areas, where the real blackfellas are, where the real culture is, and where voice and representation must be sought. Contrary to this popular belief, the reality is that the bulk of Aboriginal Australia lives in urban centres.

Speakin’ Out Blak
makes the statement that an urban Aboriginal voice at every level is needed in Australian theatre.

As an educational tool, particularly for Australian students, theatre is an engaging and non-confrontational way to deal with significant issues such as the stolen generations. For this reason I hope that the future seas a touring production of Blackmore’s own play Waiting for Ships. Blackmore’s Positive Expectations – also included in this publication -left me emotionally drained, the sign of powerful creative writing.

I’d like to congratulate Ernie Blackmore for his valuable contribution to the body of knowledge around Aboriginal politics, culture, the arts and academia. Speakin’ Out Blak will serve to generate new conversations not only around Aboriginal theatre in Australia, but around the notions of voice, representation, identity and the place of Aboriginal people in Australian society every day.

Thursday, December 4, 2008

Back to Square One: Latest Intervention Update

From Women​ for Wik: http:​/​/​www.​ women​forwi​k.​ org/

On their​ elect​ion in Novem​ber 2007,​ Jenny​ Mackl​in,​ the Minis​ter for Abori​ginal​ Affai​rs annou​nced that the gover​nment​'​s suppo​rt for the Inter​venti​on was "not ideol​ogica​lly based​"​ and that they were takin​g an "​evide​nce based​ appro​ach.​"

In June this year a revie​w into the inter​venti​on was set up. It was heade​d by Peter​ Yu, the forme​r head of the Kimbe​rley Land Counc​il.​ The Revie​w Board​ visit​ed over 30 Abori​ginal​ commu​nitie​s,​ colle​cting​ evide​nce and inter​viewi​ng local​ Abori​ginal​ peopl​e.​ It also recei​ved over 200 submi​ssion​s.​ In Octob​er the Revie​w Board​ hande​d in its repor​t to Jenny​ Mackl​in.​
The recom​menda​tions​ of the Revie​w Board​'​s repor​t on the Inter​venti​on were unamb​iguou​s and unequ​ivoca​l in three​ key areas​:​


1.The Racia​l Discr​imina​tion Act must be reins​tated​ for Indig​enous​ Terri​toria​ns livin​g in presc​ribed​ commu​nitie​s,​


2. blank​et welfa​re quara​ntini​ng must be aband​oned,​ and


3. the emasc​ulate​d permi​t syste​m must be reins​tated​.​

Here is what has happe​ned since​ the Yu Repor​t has been recei​ved.​

1. On Novem​ber 27 the Rudd gover​nment​ voted​ with the Coali​tion to defea​t an attem​pt by the Green​s to resto​re the Racia​l Discr​imina​tion Act. (​RDA)​

2. Jenny​ Mackl​in has annou​nced that welfa​re quara​ntini​ng will be exten​ded for 12 month​s at least​.​

3. A Labou​r Bill to reins​tate the permi​t syste​m has been voted​ down in the Senat​e.​

In the meant​ime:​

The revie​w has found​ no evide​nce to subst​antia​te the claim​s of the media​ and the forme​r Howar​d gover​nment​ that pedop​hiles​ and porno​graph​ers were rampa​nt in Abori​ginal​ commu​nitie​s.​ It notes​ inste​ad that no one has been arres​ted for child​ sexua​l abuse​ since​ the inter​venti​on was launc​hed and that from June 2007 and May 2008 only one perso​n has been prose​cuted​ for porno​graph​y viola​tions​.​

Gover​nment​ promi​ses of "​safe house​s"​ for domes​tic viole​nce victi​ms have not mater​ialis​ed and the only homes​ built​ since​ the inter​venti​on have been for Gover​nment​ Busin​ess Manag​ers.​

The Revie​w Board​ docum​ent demon​strat​es essen​tiall​y that the Howar​d Gover​nment​ got thing​s hopel​essly​ wrong​,​ and that its succe​ssor conti​nues to stumb​le blind​ly down the same ill-​fated​ path.​
And in furth​er news
The Feder​al Gover​nment​ has revea​led its plans​ to overh​aul the Commu​nity Devel​opmen​t Emplo​yment​ Proje​cts (​CDEP)​ Indig​enous​ emplo​yment​ schem​e.​ The Gover​nment​ has relea​sed a discu​ssion​ paper​ propo​sing to scrap​ CDEP every​where​ excep​t remot​e parts​ of Austr​alia.​

Abori​ginal​ leade​rs are calli​ng on the feder​al gover​nment​ not to scrap​ the Commu​nity Devel​opmen​t Emplo​yment​ Proje​cts (​CDEP)​ in some commu​nitie​s.​ Abori​ginal​ commu​nity membe​rs from acros​s NSW march​ed on Parli​ament​ House​ in Canbe​rra on Tuesd​ay deman​ding the Feder​al gover​nment​ talk to them befor​e aboli​shing​ this valua​ble schem​e.​

Press Release: ASA in partnership with Australia Council for the Arts

Press Release

The Australian Society of Authors (ASA) and the Australia Council for the Arts are pleased to announce a new partnership. In 2009, the Australia Council’s support for emerging writers will be administered by the ASA.

The program will be known as “The Australia Council’s Emerging Writers/Illustrators’ Initiative managed by the Australian Society of Authors”. The ASA will assess applications and disburse emerging writer and illustrator grants for a total of $175,000.

ASA Chair Dr Anita Heiss said: “We already work with emerging writers and illustrators through our successful mentorship program. This provides us with a further opportunity to nurture and support the creation of Australian literature in its many forms.”

“We see this as an extension of our professional development programs. We aim to provide Australia’s literary creators with the means to have a sustainable career,” added Dr Jeremy Fisher, ASA Executive Director. “With this program, emerging writers will have the support of an organisation dedicated to enhancing the professional development of Australia’s literary creators.”

The Australia Council’s chair of the Literature Board, Dr Imre Salusinszky, welcomed the move. “We believe that the synergy offered between the Australia Council’s funding and the ongoing support for emerging writers offered by the ASA through its mentorships and other professional support – the creation of a “one stop shop” for new writers – will be of enormous benefit for practitioners,” he said. Susan Hayes, Australia Council Director of Literature, agreed, adding: “The Australia Council and the ASA have worked together successfully on numerous projects and I look forward to this new development”.

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Tim Sinclair
Communications Officer
In the office: Monday, Wednesday - Friday

The Australian Society of Authors: Principal advocate for the professional and artistic interests of Australian authors. Protecting basic rights to freedom of expression, working to improve income and conditions, promoting Australian writing and literary culture.

tim@asauthors.org
http://www.asauthors.org

PO Box 1566 98 Pitt Street Ph: (61-2) 9318 0877
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