How cool is this birthday cake made like Magabala titles?
Magabala Books in Broome published my first book Sacred Cows in 1996. Without them I wouldn’t be an author today, so I was thrilled to be
invited, as part of the Corrugated Lines festival, to speak at the party celebrating
Magabala’s 25th anniversary. Cancelled flights may have kept me
away, but wild horses couldn’t, and so I rocked up at dusk on Friday night just
gone and joined with 200 locals, tourists, board members, staff and other
writers in applauding the work of one of Australia’s most culturally valuable
publishing houses. Below are some of my notes from the night.
Mick Malonis gives a generous welcome to country
In 1994 I had an idea: I’d write a book, just one book, about
white Australia, because there were so many books about Black Australia written
by non-Aboriginal people, it was time to turn the table. I set about and wrote
a manuscript called Sacred Cows looking at Australian icons like Skippy, Vegemite and the
backyard BBQ. I submitted it to a number of publishing houses in early 1995,
then in July of that same year while working for a First Nations newspaper in
Canada I received a letter saying that Magabala Books had accepted my work for
publication. I was no different to any other first time author: I can remember
where I was at the time the letter arrived, who I was with, what I was wearing
and the celebration that followed due to knowing I was going to be a published
author. Every first time author has a level of excitement only they know. It’s
called the first time authors club.
I knew nothing about how the publishing process worked back
then, nor editing, layout / design or marketing. And on top of me being a
control freak, the publishing process turned out to be a challenging experience
for author, editor, designer and publisher. But I remember fondly the launch of Sacred
Cows 18 months
later at a function at the original Boomalli Aboriginal Artists Cooperative in
Sydney, and how excited I was to be an author. I’d like to acknowledge my
editor back then Rachel Bin Salleh for her work, and I’m pleased to say that I
am still friends with Sam Cook the designer, and will be speaking on a panel
with publisher Bruce Sims in Melbourne November.
But now, 16 years after the release of my first book, it’s
hard to believe as I stood there in Broome, the road my life as taken and my
place in Australian literature today. Four adult novels, three kids novels, two
collections of poetry, a text book and numerous anthologies later and I am
indeed, living the writerly dream. Last week I spoke to Aboriginal girls in
Brisbane about writing. Last Friday morning I spoke to Aboriginal boys at the
Clontarf Academy about writing. I get do to those (voluntary) talks because
many years ago Magabala gave me a break.
Being at the 25th anniversary celebration gave me
the opportunity to thank the organisation – the board and staff from back then
- for giving me the springboard into the Australian publishing industry where I
have made my career and where I am most happy. Without my first book I’d never
have written the second, third and so on. Being a writer has taught me a
greater appreciation of the importance of storytelling in all forms and for all
audiences. And I think that is also something Magabala titles do; they help
readers understand the role of stories and books in our everyday lives.
Magabala Treasurer and author Edie Wright and grand-daughter
Since releasing Sacred Cows I have become a staunch supporter
and advocate for Magabala Books, promoting, showcasing and reviewing publications
and always recommending titles to the thousands of teacher/librarians I speak
to as part of my every day business. Getting our titles, your titles, Magabala
titles on curriculum and into classrooms is my goal when presenting to
educators.
I have said many times, and believe firmly that Magabala
Books publishes some of the most beautiful, valuable and culturally rich
children’s books Australia could hope to have. Some of the books I have raved about as useful in the
classroom environment as stories with morals and purpose include Nana’s Land, Creatures of the Rainforest, Dingo's Tree
and Tell Me Why.
Only a few weeks ago, I learnt the history of AFL in the
book Marngrook and then started watching the show on the ABC, which for those who know me is
an extraordinary effort as I really have little interest in any code of
football. But when its history begins with blackfellas, well, there’s a whole
new level of interest.
Last year I fell in love with Dub Leffler’s book There once
was a Boy – in fact in my review I stated that it was possibly the most beautiful book I
had ever held in my hands. I’d like to congratulate Dub and Nola Turner-Jensen
for their latest release The Sugar Bag. The deadly books just keep coming.
In terms of life stories and memories, I cherish Glenys
Ward’s Wondering Girl and I use and
I use Albert Holt’s Forcibly Removed in my teaching. I launched with pride Lorraine
McGee-Sippel’s Hey Mum What’s a Half Caste, which has as a central theme the importance of
family. These are works that changed the way Australians look at their own
history and the inequities between black and white people.
Arnhem Hunter and new CEO of Magabala Michelle Broun
On the flight over to Broome I read the eloquent yet
powerful Ruby Moonlight
by Ali Cobby
Eckermann, which followed closely on my reading of Grace Beside Me
by Sue McPherson, and it’s now I’d like
to also congratulate Magabala for being the most proactive of our Indigenous
publishers in finally being part of Black+Write as a process that helps to
develop the skills base of indigenous people working in publishing, namely
editors.
And of course I can’t live without my Magabala Diary,
which also makes a fabulous gift.
It’s fair to say that Magabala plays a role in my daily life, we stalk each
other on Twitter also!
Finally, I’d like wish all the Magabala family a very happy
25th anniversary and to thank you all for making the dreams for
people like me – a girl from the suburbs – come true.
And thanks to the deadly Clontarf Academy Boys for their service skills!
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